Polar Express Presented in 3D DVD (2008) w/Upgrade (4 Pair) 3D Glasses - Connoisseur Ensemble

Polar Express Presented in 3D DVD (2008) w/Upgrade (4 Pair) 3D Glasses - Connoisseur Ensemble Review

Polar Express Presented in 3D DVD (2008) w/Upgrade (4 Pair) 3D Glasses - Connoisseur Ensemble Feature

• Watch this 3D version with the BEST 3D Glasses available.

Polar Express Presented in 3D DVD (2008) w/Upgrade (4 Pair) 3D Glasses - Connoisseur Ensemble Overview

Revised and remastered POLAR EXPRESS DVD - 2 DISC (2D & 3D versions) with 4 pair of quality upgrade 3D glasses (fits adults). There is minimal ghosting yet these plastic glasses outperforms the cardboard glasses. This ensemble is for the serious 3D viewer. copyright 2004 with supplemental material copyright 2008

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I Can See You (2008) / The Viewer (2009 3D Short Film)

I Can See You (2008) / The Viewer (2009 3D Short Film) Review

I Can See You (2008) / The Viewer (2009 3D Short Film) Feature

• I CAN SEE YOU (2008)/VIEWER (2

I Can See You (2008) / The Viewer (2009 3D Short Film) Overview

A PSYCHEDELIC CAMPFIRE TALE FROM KINO, GLASS EYE PIX & SCAREFLIX

Three aspiring ad-men take a weekend in the wilderness to brainstorm their assignment: the re-branding of a once popular cleaning product. Out in the woods, strange technical anomalies begin to plague their equipment. As night falls, the trio encounters temptress Summer Day (Heather Robb) fanning old flames and inflaming old rivalries. A mysterious disappearance sparks a harrowing descent into unreality. (As Everyday Normality Goes Grotesque. - Variety)

A spectral visitation from the product s former spokesman Mickey Hauser (Larry Fessenden) sets in motion an escalation of frightening visions, careening from (a tour-de-force musical number that grows increasingly horrific - Variety) to a startling climatic (freak-out that wipes all your troubles away, as well as anything else lying around in your head. - Village Voice)

This double-feature DVD also features THE VIEWER... A brand new 3D stereoscopic short film from director Graham Reznick.

2008 USA 97 min. Color Letterboxed (1.85:1) Enhanced for 16x9 TVs In English Audio 5.1 Surround

Special Features:
- Audio Commentary with Director Graham Reznick, Stars Ben Dickenson, Chris Ford, Duncan Skiles and Assistant Director Josh Hartsoe
- THE VIEWER Commentary with Director Graham Reznick, D.P. Gordon Arkenberg and VFX artist Neal Jonas
- Collector s Edition 3D Glass Eye Spex Includes
- Deleted Scenes
- Theatrical Trailer
- Stills Gallery and Concept Art

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Funny Games (2008)

Funny Games (2008) Review

Funny Games (2008) Feature

• In 1997, writer-director Michael Haneke (CACHE) made the controversial Austrian thriller, FUNNY GAMES, about two young men who terrorize a family on vacation. A decade later, Haneke was convinced by producer Chris Coen to bring the story to America, filming a nearly word-for-word, shot-for-shot English-language version, even re-creating the locations and sets as obsessively as possible. Shortly af

Funny Games (2008) Overview

FUNNY GAMES - DVD Movie

Funny Games (2008) Specifications

Michael Haneke is a modern master, which his spellbinding films Cache and The Piano Teacher proved to an international audience. When it came time for a Hollywood remake of his ultra-disturbing 1997 picture Funny Games, who better than Haneke himself to helm the new version? And indeed, the second Funny Games bears the impeccable sense of control and technique that the Austrian version had: it is a horrifyingly precise account of a family terrorized by two psychopathic young thugs at a vacation home. For anyone who's already seen the '97 film, this new one--a nearly shot-by-shot transcription of the original--will seem superfluous, no matter how impressive the performances of Naomi Watts and Tim Roth are. (Michael Pitt and Brady Corbet are suitably creepy as their menacers, too.) For newbies, the movie might be as infuriating and thought-provoking as Haneke intends it to be. That's because Funny Games is an intellectual game itself, a direct rebuke to the audience that gobbles up gratuitous violence and cynical manipulation. Haneke sets up our expectations, and then refuses to provide the conventional catharsis… or the conventional anything. All of this was pretty bracing in the first go-round, but feels like gamesmanship in the remake. Even if you dig what Haneke's up to, this is a brutal movie-watching experience. --Robert Horton

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