แสดงบทความที่มีป้ายกำกับ Notebook แสดงบทความทั้งหมด
แสดงบทความที่มีป้ายกำกับ Notebook แสดงบทความทั้งหมด

วันศุกร์ที่ 4 กุมภาพันธ์ พ.ศ. 2554

Piranha [Blu-ray 3D]

Piranha [Blu-ray 3D] Review






Piranha [Blu-ray 3D] Overview


Studio: Sony Pictures Home Ent Release Date: 01/11/2011 Run time: 89 minutes Rating: R


Piranha [Blu-ray 3D] Specifications


Debating the merits of Piranha 3D, director Alexandre (Mirrors) Aja's testosterone-driven valentine to Joe Dante's 1978 original and the excesses of '80s genre films in general, is a fool's errand; it is, after all, a movie about prehistoric fish preying on hormonal partygoers in various states of undress--and in 3D, mind you--so any review must answer the question--does it deliver what its key audience (young men, ages 14 to 24) require? On that front, the answer is an unequivocal yes. Special effects creators Greg Nicotero and Howard Berger present a veritable buffet of gruesome ways for the thinly drawn characters to die, from a piranha burrowing through a swimmer's head to the horrible encounter between a boat propeller and a longhaired victim. The sheer amount of nudity on display rivals a week's worth of Cinemax late-night screenings, rendered all the more excessive in 3D; as for the gimmick itself, it lends some unsettling depth to the underwater attacks. In short, if one attends Piranha 3D for grindhouse-style yucks, it's bound to be a rollicking good time. All others may find its relentless, Red Bull drive wearying; the whole affair is clearly meant to be a goof, just as Dante's original (produced by Roger Corman and penned by John Sayles) was, but where Dante's target was monster movie camp of the '50s and '60s (as well as Jaws), Aja and writers Peter Goldfinger and Josh Stolberg take aim at either cynical zeitgeist elements like the Girls Gone Wild series (with Jerry O'Connell striking the right tone as its craven creator) or hapless partygoers, which leaves an unpleasant aftertaste of misanthropy. Where the film does succeed is in its supporting cast, which strikes the same winking tone as Dante's version; Richard Dreyfuss and Christopher Lloyd poke fun at their Jaws and Back to the Future roles, while Adam Scott, comic Paul Scheer, and Eli Roth give appropriately broad turns. Elizabeth Shue, of all people, is the sheriff hero and acquits herself well to the absurd story line, as do Steven R. McQueen (yes, Steve's grandson) and Gossip Girl's Jessica Szohr as the film's Young Lovers. Again, taking issue with Piranha 3D is like finding fault with a cheeseburger for being greasy, but for those expecting a full-course meal, the fish get all the big bites here. --Paul Gaita

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วันอาทิตย์ที่ 23 มกราคม พ.ศ. 2554

Dragon's Lair

Dragon's Lair Review





Dragon's Lair Feature


  • Take control of Dirk as he fights to save Daphne from the evil dragon Singe -- make him jump, run, roll, climb, swing, and somersault
  • Explore 43 huge areas and over 250 rooms, collecting weapons and items
  • Fight over 30 strange and deadly enemies - Lizard King, the Giddy Goons, the Crypt Creeps and others
  • Enjoy fantastic graphics with innovative, fluid motion and cel-shaded animation
  • Original 90-minute Surround Sound musical score



Dragon's Lair Overview


Dragon's Lair follows the storyline of the classic arcade game & adds new plot twsts, better graphics and wilder action. Dirk The Daring is a knight trying to prove his worth to the beautiful princess Daphne. Help him beat the dragon and save her, to earn her love!


Dragon's Lair Specifications


You control the actions of Dirk the Daring, a valiant knight on a quest to rescue a fair princess from the clutches of an evil dragon. Fight your way through the castle of the wizard who has enchanted it with treacherous monsters and obstacles.

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วันพฤหัสบดีที่ 18 พฤศจิกายน พ.ศ. 2553

The Polar Express Presented in 3-D

The Polar Express Presented in 3-D Review






The Polar Express Presented in 3-D Overview


A disillusioned little boy, just old enough to doubt the existence of Santa Claus, has the adventure of a lifetime one fateful Christmas Eve. Clad in his pajamas, he climbs aboard a magic train to the North Pole, driven by a kindly train conductor (voiced by Tom Hanks). Among myriad jaw-dropping moments, the train plummets brakeless through crystalline mountains in a simulated roller coaster ride. Going off the rails, skidding sideways, and snaking violently across a frozen lake, the train arrives at the North Pole (a vast, glowing city of brick buildings). At that moment, the car carrying the kids detaches and they're sent tumbling down never-ending chutes and slides until they land in the middle of Santa's Workshop. With its fascinating tale and impressive technical frolics, The Polar Express 3-D is destined to become both a holiday classic and a new turning point in the art of animated cinema.


The Polar Express Presented in 3-D Specifications


Destined to become a holiday perennial, The Polar Express also heralded a brave new world of all-digital filmmaking. Critics and audiences were divided between those who hailed it as an instant classic that captures the visual splendor and evocative innocence of Chris Van Allsburg's popular children's book, and those who felt that the innovative use of "performance capture"--to accurately translate live performances into all-digital characters--was an eerie and not-quite-lifelike distraction from the story's epic-scale North Pole adventure. In any case it's a benign, kind-hearted celebration of the yuletide spirit, especially for kids who have almost grown out of their need to believe in Santa Claus. Tom Hanks is the nominal "star" who performs five different computer-generated characters, but it's the visuals that steal this show, as director Robert Zemeckis indulges his tireless pursuit of technological innovation. No matter how you respond to the many wonders on display, it's clear that The Polar Express represents a significant milestone in the digital revolution of cinema. If it also fills you with the joy of Christmas (in spite of its Nuremberg-like rally of frantic elves), so much the better. --Jeff Shannon

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